It’s not unusual for star singers rehearsing With all the Metropolitan Opera to make time on your recital Regardless that they’re in The large apple. But the ultimate benefits tend to be not frequently this interesting.

The mezzo-soprano Magdalena Kozena plus the conductor Simon Rattle, who'll be married, will be appearing in two months in Strauss’s “Der Rosenkavalier” for the Pleased: Ms. Kozena sings Octavian, and Mr. Rattle is in the pit. But on Tuesday, joined by 6 other musicians, with Mr. Rattle on piano, they released a diversified, novel and demanding application at Alice Tully Corridor. (Ahead of this calendar 12 months, they introduced a recording based on This system, “Soirée,” throughout the Pentatone label.)

Ms. Kozena chosen tracks which were being like chamber will get the job done for voice and many different mixtures of instruments, creating with Chausson’s rarely study, and ravishing, “Chanson Perpétuelle,” a seven-instant environment of a Symbolist poem by Charles Cros for singer, string quartet and piano. The textual content material can be quite a young woman’s fraught account of The person who deserted her, founded to curiously melting lyrical strains, with occasions of frayed depth.

Ms. Kozena sang with influencing warmth and shimmering audio, supported by lush, agitated strings (the violinists Giovanni Guzzo and Rahel Maria Rilling, the violist Amihai Grosz plus the cellist Additional resources Dávid Adorján) and a piano alive with tremolos.

The next do the job, also inexplicably Fantastic, was Stravinsky’s “Three Tunes of William Shakespeare” (1953), Among the many listing of composer’s very first ventures into twelve-tone audio, scored for voice, flute (Kaspar Zehnder), clarinet (Andrew Marriner) and viola. Ms. Kozena gave a beguiling success of the skittish and coolly fantastic founded, Significantly the slyly sweet “Musick to heare.”

The Shakespeare topic continued with Strauss’s “Drei Lieder der Ophelia,” the only tunes on This system With all the regular pairing of voice and piano. Strauss captures Ophelia’s instability in songs that slips between sumptuous lyrical flights and bouts of fractured eeriness. Mr. Rattle offered delicate and articulate accompaniment to Ms. Kozena’s eloquent singing.

She sounded sensual and earthy in Ravel’s intoxicating “Chansons Madécasses,” in the course of which the piano, cello and flute sections are like equivalent associates in an incredibly dialogue Although utilizing the voice. And, Combined with the Strauss tunes Even so modern during the ear, it absolutely was intriguing to pay attention to Brahms’s “Ophelia-Lieder,” individuals observe-like configurations of several of the very same Shakespeare texts, performed suitable listed here inside of an arrangement for voice and thick-textured string quartet by Aribert Reimann.

At the conclusion of the recital, Ms. Kozena took us to her Czech homeland. She sang Janacek’s “Nursery Rhymes” for voice, piano and clarinet, which experienced a touch of wailing klezmer Within just this feisty effectiveness. Then she concluded with 6 Dvorak songs, billed configurations of folks texts that recount the travails and absurdities of rural daily life. Here, lastly, all 8 performers joined collectively.

Getting an encore, Ms. Kozena gave a poignant account of Strauss’s “Morgen.” Mr. Guzzo played the melancholy violin melody affectingly, when Mr. Rattle reverently rendered the orchestra for the piano, Along with the others signing up for in for that tune’s consoling conclusion.

Magdalena Kozena

Executed on Tuesday at Alice Tully Hall, Lincoln Coronary heart.